Pather Panchali 1955
'Pather Panchali' (A Song of the Little Road) stamped Satyajit Ray's introduction as a chief. This magnum opus from Ray is a social show roused by a well known novel of a similar name, by Bibhutibhushan Bandyopadhyay. The film plots a young man, Apu from a helpless family and his day by day life in a provincial Indian town. The film was created by the then West Bengal government as the amazing producer pursued out of cash just shooting a large portion of the film. 'Pather Panchali' turns out to be the main film in 'The Apu Trilogy'.
Creation was interfered with as a result of subsidizing issues and it required almost three years for the film to be finished. The film was shot predominantly on the spot, had a restricted budget,[c] highlighted for the most part beginner entertainers, and was made by an unpracticed group. The sitar player Ravi Shankar formed the film's soundtrack and score utilizing traditional Indian ragas. Subrata Mitra was responsible for the cinematography while altering was taken care of by Dulal Dutta. Following its debut on 3 May 1955 during a display at New York's Museum of Modern Art, Pather Panchali was delivered in Calcutta later that very year to an eager gathering. It was a hit at film industry. Up until mid 1980, it procured a benefit of 24 lakh Taka (BDT).An exceptional screening was gone to by the Chief Minister of West Bengal and the Prime Minister of India. Pundits have commended its authenticity, humankind, and soul-mixing characteristics while others have considered its sluggish speed a disadvantage, and some have censured it for romanticizing destitution. Researchers have remarked on the film's expressive quality and authenticity (impacted by Italian neorealism), its depiction of the neediness and little joys of every day life, and the utilization of what the creator Darius Cooper has named the "revelation of miracle", among different subjects.
The story of Apu's life is proceeded in the two resulting portions of Ray's set of three: Aparajito (The Unvanquished, 1956) and Apur Sansar (The World of Apu, 1959). Pather Panchali is portrayed as a defining moment in Indian film, as it was among the movies that spearheaded the Parallel Cinema development, which embraced legitimacy and social authenticity. The main film from free India to draw in significant global basic consideration, it won India's National Film Award for Best Feature Film in 1955, the Best Human Document grant at the 1956 Cannes Film Festival, and a few different honors, building up Ray as one of the nation's most recognized movie producers. It is normal highlighted in arrangements of the best movies at any point made.
0 মন্তব্যসমূহ